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“Look out! She’s ten, an’ never been to school; but she’s read more things ’n you ’n me put together, Pretty. Knows ’em, too.” Billy introduced the two in characteristic fashion and went within. It had stopped raining, but was still cloudy. This was the hour when Billy usually wheeled long miles by himself, dreaming dreams no one but a boy knows how to dream. Nothing short of a downpour ever hindered him; thus mother and sister knew it was genuine self-sacrifice that kept him beside the little girl through the long afternoon. “They smell like the sunbeams was sprinklin’ them with scent,” she declared as she and Moses brought the last basketful into the house. Mrs. Wopp’s nightgown of ample proportions was left out a little longer being still somewhat damp..

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As far as general knowledge went, Betty was a complete encyclopedia ahead of Moses. That youth’s brains had too many labyrinthine passages through which knowledge meandered and got lost to ever lay claim to erudition. As for creative ability, Betty imbibed ideas at every pore. She took odd moments of her busy days and patching them together made hours of creative joy, a sort of mental Joseph’s coat of rainbow brightness. Billy took no heed of time till he saw the man above shoulder his hoe, pick up his wine jug, and start down the hill. At that Billy’s heels grew swift. He scurried out of his hiding place, slipped rapidly through the brush, found his wheel, and bowled off. No languor or heaviness now in body or mind. Every atom of him was alert as on the night of the opera, yet not so normally alert; for the evil atmosphere of the place was in his soul, filling his teeming brain with imaginings of many crimes. He was a queer figure with his bandaged head, one eye peering out, and a long, dripping red quilt trailing behind him. “I found the bed flooded, and put the comfort round me; but someway that’s wet, too.” He could hardly speak for shivering. The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous..